Saturday, December 9, 12-5pm
Join us in our new home as we celebrate the amazing space our archive has moved into, and take a moment to pick up some holiday gifts! In addition to all your favorite Interference Archive merchandise and a great table of comics and zines, our friends from Justseeds and Common Notions will be joining us to sell prints and books.
Saturday, December 9, 12-5pm
Join us in our new home as we celebrate the amazing space our archive has moved into, and take a moment to pick up some holiday gifts! In addition to all your favorite Interference Archive merchandise and a great table of comics and zines, our friends from Justseeds and Common Notions will be joining us to sell prints and books.
“Anybody can join. There’s so many different access points for you to join the movement to say no to white nationalism, and there’s so many ways to say no.”
“Anybody can join. There’s so many different access points for you to join the movement to say no to white nationalism, and there’s so many ways to say no.”
We’re excited to announce that the catalogue of our current exhibition, Take Back the Fight: Resisting Sexual Violence from the Ground Up, is here. Stay tuned for more details about an opening event and catalogue launch!
“I think we are, as immigrants, left out. Our voices are erased from the narrative. It’s not that we don’t want to tell our stories. It’s that there are no spaces for us to tell our stories.” – Lorena Kourousias
“I think we are, as immigrants, left out. Our voices are erased from the narrative. It’s not that we don’t want to tell our stories. It’s that there are no spaces for us to tell our stories.” – Lorena Kourousias
In a review of the Met Breuer’s Delirious: Art at the Limits of Reason, 1950-1980, Emily Watlington convincingly argues that our “delirious times” call for responsively delirious curation. As buzzing news alerts stoke excess trauma through an ascendant reactionary (neo-) conservatism, such a call is not off-mark. However, Evonne M. Davis provides a stellar curatorial counterpoint with the exhibition Resistance Across Time: Interference Archive at the Paul Robeson Galleries at Express Newark. The show presents a chronological parsing of social activism—with keen attention to feminisms from various historical moments and locations—via a selection of posters from Brooklyn’s Interference Archive.
In a review of the Met Breuer’s Delirious: Art at the Limits of Reason, 1950-1980, Emily Watlington convincingly argues that our “delirious times” call for responsively delirious curation. As buzzing news alerts stoke excess trauma through an ascendant reactionary (neo-) conservatism, such a call is not off-mark. However, Evonne M. Davis provides a stellar curatorial counterpoint with the exhibition Resistance Across Time: Interference Archive at the Paul Robeson Galleries at Express Newark. The show presents a chronological parsing of social activism—with keen attention to feminisms from various historical moments and locations—via a selection of posters from Brooklyn’s Interference Archive.